Needless to say, I succeeded. Therefore I am proud to announce that, according to Einstein, I am in the top 2% of the world. Challenge extended. Best of luck! If you need encouragement, it's very satisfying once solved. And it's a great way to begin the year. Cheers!
The random happenings, witty exchanges, and thoughtful insights that make my life interesting
Monday, December 31, 2012
Not Rocket Science, But...
I know you are all dying to know how I decided to end this fabulous year in which we were all supposed to perish. So here it is. Initially I thought it would be wise to finish up business so I cleared out my inbox and began catching up on the latest Pinterest has had to offer recently. Spectacular, I know. Anyway, I came across this intellectual gem and spent a good hour or two working it out.

Needless to say, I succeeded. Therefore I am proud to announce that, according to Einstein, I am in the top 2% of the world. Challenge extended. Best of luck! If you need encouragement, it's very satisfying once solved. And it's a great way to begin the year. Cheers!
Needless to say, I succeeded. Therefore I am proud to announce that, according to Einstein, I am in the top 2% of the world. Challenge extended. Best of luck! If you need encouragement, it's very satisfying once solved. And it's a great way to begin the year. Cheers!
Monday, November 12, 2012
My Sculpture Affair
In honor of the birthday of Auguste Rodin, I thought I would take a moment to show you my favorite pieces of his and a little of my thoughts and experiences from the Rodin museum in Paris...my, has it already been two summers ago I was there?! Time flies.
One of the first pieces at the museum that struck my fancy was The Gates of Hell, a depiction of Dante contemplating the depths of the underworld and the anguish of the sinners doomed to there spend their existence. I of course thoroughly enjoyed my perusal of The Inferno back in high school and so I appreciated the opportunity to inspect this depiction. And who doesn't love another round of "Be the Statue"?
The Thinker is probably one of the best known works by Rodin, but it is not commonly known that he is part of the above larger work. A nice reminder that sometimes we just need to ponder about life. Funny story with this one: we almost skipped it entirely, as Lauri was so anxious to get to the next site, the tomb of Napolean Bonaparte in L'Hôtel des Invalides. I wasn't in any particular mood to trek down the long stretch of path to inspect it up close, nor did I have a desire to battle the hoards of little red-capped school children who at that moment were flocking the base, so I contented myself to hang back with Lauri and admire from a distance as our comrades sallied forth. As we were thus standing, she made mention of her mental rush. "Man, I was just so focused! 'Gotta get to the tomb! Get the people to the tomb!'" I quickly responded, "The universal march." The hilarity of the exchange sunk in afterward and we made quite a scene, cackling uncontrollably as we were. The next hour was punctuated with giggles and guffaws on its recollection. Wit is so much easier in Europe!
The Burghers of Calais was a really touching story for me. During the Hundred Years' War between France and England, the latter laid siege to the port city of Calais. Philip of France ordered the town not to surrender, but failed to lift the siege and so the town was forced by imminent starvation to succumb to the English. Edward of England offered to spare the people if the town fathers would surrender themselves, sacrificing their lives for those of the innocent. This piece depicts them as they go willingly to their demise. It is incredibly fascinating to inspect the various figures, as each has a different nuance of emotion - some are resigned, some hesitant or in shock, still others seem to be mourning the wicked state of humanity. Every time I thought I understood one face, it would seem to change and present a nuance I hadn't before considered. Even now, they each say something different to me.
Happily, the queen of England learned of the Burghers' plight and convinced her husband to let them go free, valuing their bravery and sacrificial humility. But the figures here do not yet know how the story ends. That, I think, is part of it's greatness.
This one was incredible to me just for sheer craftsmanship. You can really only see it from this side, with the light shining through to outline the figures. That, my friends, is marble. Marble! And yes, it is paper-thin to allow that light through. Simply stunning...or, as Lauri would say in her simple stating-the-facts manner, "Beauty."
This story is touchingly depressing. Camille Claudel began working with Rodin at age 18 and was quite talented. The two had a passionately stormy relationship; long story short, she gave her whole soul to him, but he would not marry her because of a woman named Rose, whose relationship to Rodin is not quite clear. Claudel became pregnant with Rodin's child, but had an abortion which sent her into a downward spiral of depression and other mental illness until she was put in an assylum. L'Age Mûr depicts Claudel as "l'implorante," begging the man she loves to stay with her whilst he is being whisked away by Rose, a grisly specter reminiscent of a siren. Though she never knew the love she longed for, she went on to create some of the most well-known and romantic pieces of the period, which for a time were attributed to Rodin, the very cause of her anguish.
I read somewhere that Rodin believed that the emotion of the entire body could be depicted through the hands alone. I wonder if he really thought that, or if it was indeed Camille Claudel, as it is likely that it was she who supplied the hands and feet for most of his sculptures. Either way, from works like this one, I am inclined to believe it.
Camille Claudel knew the face of Rodin so well that she was able to create this from memory. Compared to Wikipedia's photo, I'd say she did rather well indeed.
There you have it - some of my Rodin highlights, a touch of humor, intrigue, and romance. Thank goodness for beauty in the world.
One of the first pieces at the museum that struck my fancy was The Gates of Hell, a depiction of Dante contemplating the depths of the underworld and the anguish of the sinners doomed to there spend their existence. I of course thoroughly enjoyed my perusal of The Inferno back in high school and so I appreciated the opportunity to inspect this depiction. And who doesn't love another round of "Be the Statue"?
![]() |
| The Gates of Hell, with Samantha as The Thinker |
The Thinker is probably one of the best known works by Rodin, but it is not commonly known that he is part of the above larger work. A nice reminder that sometimes we just need to ponder about life. Funny story with this one: we almost skipped it entirely, as Lauri was so anxious to get to the next site, the tomb of Napolean Bonaparte in L'Hôtel des Invalides. I wasn't in any particular mood to trek down the long stretch of path to inspect it up close, nor did I have a desire to battle the hoards of little red-capped school children who at that moment were flocking the base, so I contented myself to hang back with Lauri and admire from a distance as our comrades sallied forth. As we were thus standing, she made mention of her mental rush. "Man, I was just so focused! 'Gotta get to the tomb! Get the people to the tomb!'" I quickly responded, "The universal march." The hilarity of the exchange sunk in afterward and we made quite a scene, cackling uncontrollably as we were. The next hour was punctuated with giggles and guffaws on its recollection. Wit is so much easier in Europe!
![]() |
| The Thinker |
![]() |
| The Burghers of Calais |
Happily, the queen of England learned of the Burghers' plight and convinced her husband to let them go free, valuing their bravery and sacrificial humility. But the figures here do not yet know how the story ends. That, I think, is part of it's greatness.
This one was incredible to me just for sheer craftsmanship. You can really only see it from this side, with the light shining through to outline the figures. That, my friends, is marble. Marble! And yes, it is paper-thin to allow that light through. Simply stunning...or, as Lauri would say in her simple stating-the-facts manner, "Beauty."
![]() |
| Nymphs Playing |
This story is touchingly depressing. Camille Claudel began working with Rodin at age 18 and was quite talented. The two had a passionately stormy relationship; long story short, she gave her whole soul to him, but he would not marry her because of a woman named Rose, whose relationship to Rodin is not quite clear. Claudel became pregnant with Rodin's child, but had an abortion which sent her into a downward spiral of depression and other mental illness until she was put in an assylum. L'Age Mûr depicts Claudel as "l'implorante," begging the man she loves to stay with her whilst he is being whisked away by Rose, a grisly specter reminiscent of a siren. Though she never knew the love she longed for, she went on to create some of the most well-known and romantic pieces of the period, which for a time were attributed to Rodin, the very cause of her anguish.
![]() |
| L'Age Mûr |
I read somewhere that Rodin believed that the emotion of the entire body could be depicted through the hands alone. I wonder if he really thought that, or if it was indeed Camille Claudel, as it is likely that it was she who supplied the hands and feet for most of his sculptures. Either way, from works like this one, I am inclined to believe it.
![]() |
| Cathedral Hands |
![]() |
| The Waltz |
Camille Claudel knew the face of Rodin so well that she was able to create this from memory. Compared to Wikipedia's photo, I'd say she did rather well indeed.
![]() |
| Bust of Auguste Rodin |
Sunday, October 14, 2012
Public Service Announcement
I'm actually starting to enjoy chemistry. I'm not sure what this means.
You may want to hold on to your corner of the universe, as it might be turning upside-down in the near future. I thought you might appreciate the warning.
![]() |
| Study Materials |
![]() |
| That's strange...chemistry and a happy face in the same photo |
You may want to hold on to your corner of the universe, as it might be turning upside-down in the near future. I thought you might appreciate the warning.
Thursday, September 27, 2012
A Long Sisters' Original
Scene: 9:59pm Thursday evening. Top bedroom, corner house. Samantha at her painting. I engrossed in my work. The only sounds come from the scraping of her palate knife and my munching on noodles.
"Ohp, time for bed!" announces Samantha. Without warning, the room is plunged into darkness.
"Ah!" I exclaimed, totally unprepared for the obscurity in which I suddenly found myself. "I can't see my noodles!"
"You don't need to see your food," she insisted, in a voice not unlike Dr. Doofenshmirtz. "Blind people don't starve!"
"Ohp, time for bed!" announces Samantha. Without warning, the room is plunged into darkness.
"Ah!" I exclaimed, totally unprepared for the obscurity in which I suddenly found myself. "I can't see my noodles!"
"You don't need to see your food," she insisted, in a voice not unlike Dr. Doofenshmirtz. "Blind people don't starve!"
Sunday, September 16, 2012
My Creativity has Returned!
Just a few tidbits from the first few weeks of classes, but that’s still something. Finally the muse and desire have merged and the following is the product.
My next source of inspiration came from an unlikely and unlucky sidewalk smattering. I was walking to class and I noticed what looked like the remnants of a lunch murder - tomatoes, cucumbers, shredded lettuce and crushed olives strewn across the walkway, no doubt by some unfortunate event of Subway spillage. My initial reaction was to shake my head in dismay at the current state of humanity. Why would someone sully our campus thus and then continue on their way, expecting someone else to fulfill their cleansing duty? As I continued to contemplate the image of that crushed olive, however, I was overcome with an overwhelming craving for a hoagie. I started mentally constructing it and I could practically taste it - the bun crunchy on the outside and soft on the inside, salami, pepperjack cheese, ripe tomatoes sliced thin, cucumbers, peppers, olives, salt and pepper - my mouth watered for hours. So we did it.
Of course we needed to have some high-quality entertainment while we feasted, so naturally The Cosby Show fit the bill. It was quite appropriate timing, as the night before we had watched this episode:
I know you are all inspired now, so happy hoagie-ing!
Gnats. Why did we decide to create these again? Their only apparent purposes, at least discernable to me, are to serve as sustenance for larger, borderline repulsive organisms, and to irritate the rest of us higher beings. Maybe they are just another tangible trial of patience. Anyhow, I had forgotten about these flying gems until I walked through a random cloud of them. That’s another thing: why do they always congregate in nonsensical locations? It’s like they are intentionally preying upon us, the poor unsuspecting populous. As I was walking through afore mentioned cloud, I uttered some unladylike sound akin to a raspberry at precisely the same moment that another fellow, traveling in the opposite direction, emitted the exact same sound. Those volant villains had claimed two victims in one fell swoop! After recovering from the revulsion, I realized the humor of the occurrence and proceeded to chuckle about it for a good 20 minutes.
| This one looks strangely like my father... |
| Accompanied by salty potato chips, of course. |
| We are super excited! |
I know you are all inspired now, so happy hoagie-ing!
Wednesday, December 21, 2011
A Dose of Suspense
My rating: 4 of 5 stars
This was a pretty fantastic read, right up with the first book. Reichs really knows how to keep up the suspense. I love how she keeps multiple story lines going and then weaves them all together in the end. It's not just about one murder; the whole world doesn't stop just because one person got killed and they have to investigate. And yet despite the mounding casework, midterm exams still need to be graded, students need help, and family problems persist. The fact that they still find new cases while current ones are open, as well as the fact that regular life continues outside the LML helps to put it in better perspective. People really do this.
*SPOILER ALERT*
I'm really glad she didn't kill off Harry in this one. The formula seemed very similar to her first book, so I thought that might happen. I think that was better. Maybe it would have been poetic - Brennan can figure out what happened to people, yet she can't save the living or protect her family from the carnage that surrounds her life - but if new traumatic experiences of lost loved ones continued to compound throughout the series, Brennan would become an emotional wreak, or else unbelievable as a character. I think her cat scare (which I'm SO glad was false!) and the cult encounter, along with Ryan's near-death brush was enough for this time around.
*END OF SPOILERS*
The discussion of cults really presents an opportunity for contemplation and introspection. It calls to attention the way we think and interact with the world. Are we being diluted and blinded by those around us, or are we making our own decisions? I always appreciate the opportunity for evaluation and this fit flawlessly into the plot. Very well written in that regard.
There was a bit of scandalous-ness that could have been done without. I think the attempt was to humanize Brennan more, but I think there is plenty of that. She really does ache for the victims she sees and she is not immune to fear or injury.
As far as the murders themselves, I always like seeing the description of the lab work and her interactions with the Québecois. I wish there would have been more elaboration on the reason for the disembowelment as well as the ring symbol on the skin. I also missed an explanation of where the Rohypnol came from, but I suppose those are minor details.
The imagery is superb; I love the way she uses the weather to heighten the suspense as well as to reflect the moods. Overall it was a fantastically thrilling read. I'd pick it up again anytime.
View all my reviews
Sunday, December 11, 2011
Leaf, Meet other Leaf
This was the gorgeous fall day I reveled in a few weeks ago.

As I was raking, a little girl came riding up on her scooter and after a quick "HI!" proudly announced, "I'm 4." I tried to smother a giggle at the seemingly out of place exclamation that was my initial reaction. So what if we had never seen each other before, what's to prevent us from forging connections and sharing? That's what the human experience is about, right? She proceeded to inform me that her birthday was coming up and that then she would be 5. I returned with an encouraging, "Oh, cool!" Then she said after she was 5 she would be 6. The simplicity of our conversation made me really happy. Talking to people doesn't have to be hard. Yet I always make it out to be this huge thing. Just as I was really warming up to our conversation, her dad came behind her and bustled her along, apologizing in an embarrassed manner. It made me sad for him. I don't think we should ever be embarrassed by the examples of the children around us. It was an unexpected profundity I did not expect to encounter among the leaves that day.
![]() |
| True connection |
![]() |
| There were a lot of leaves... |
There you have it. Beauty and a thought brought to you by autumn.
Subscribe to:
Posts (Atom)


























